Hieronymus Bosch is perhaps the most artistically inventive and morally complex of all the Northern European ecclesiastical artists. Bosch is best known for his paintings, which have a startlingly intense, dreamlike quality. The scary imagery of Hieronymus Bosch's hell paintings, such as the Garden of Earthly Delights, is instantly recognizable as "Boschian" and has become a mainstay of the bizarre genre, even though only about 25 of the original Hieronymus Bosch paintings are known to exist still. While his reputation as an iconoclast is undeniable, some historians contend that he was more of a traditionalist who, rather than having a troubled psyche, demonstrated that he was also capable of nuance and complimented his horrifying images with exquisitely stylish and spiritual works that encapsulated his fervent Christian beliefs. (2022) 

Early Period

Jheronimus Anthonissen van Aken (Hieronymus Bosch) was born to Antonius van Aken and his wife, Aleid van der Mynnem, sometime between 1450 and 1456 (his exact birthdate is unknown but has been estimated from a self-portrait dated around 1508). He was born in the well-off home of his grandfather in the wealthy, intellectually and culturally rich town of s-Hertogenbosch, in the Duchy of Brabant, in the low parts of the Netherlands. 

According to art historian Stefan Fischer, his grandfather Johannes Thomaszoon van Aken produced a "painter dynasty of five children," four of whom became painters. Johannes Thomaszoon van Aken was one of the most significant painters in s-Hertogenbosch in the early fifteenth century (including Antonius). Apart from that, a catastrophic fire destroyed about 4,000 homes in s-Hertogenbosch in 1463; little is known about Bosch's early years. 

In honor of his hometown, Den Bosch, the young Jheronimus, later took the name Bosch (pronounced "Boss" in Dutch) (the forest). Since he didn't leave behind any training-related artifacts, such as notebooks, letters, or books, very little is known about his education. However, Hieronymus is listed as a member of his father's workshop in s-Hertogenbosch town records from 1475, and it is assumed (quite reasonably) that his father and possibly one of his uncles taught him to paint. However, this information doesn't help us understand the sources of Bosch's extraordinary imagination any better. 

Between 1480 and 1481, Bosch wed Aleid van der Mervenne, a merchant's daughter. Aleid, a few years older than him, was the recipient of a sizeable inheritance that included a family home in the nearby town of Oirschot, where the couple eventually settled. Bosch is believed to have remained in the immediate neighborhood of his birthplace throughout his life. (The Art Story, n.d.)

Mature Period

While other Northern European painters were also concentrating on creating themes inspired by the Bible, Bosch expressed the same subject matter in such an uncommonly inventive way that it completely conflicted with the orderly and dominant Flemish style. He filtered religious stories through his mind, transforming them into fabulous new fantasy worlds full of religious and absurd symbolism. 

During his extensive "middle period," Bosch's distinctive style, which includes distorted and deformed body forms, vibrant colors, massive and threatening flora, and various demons and reptiles, starts to emerge through a series of saints. But his Adoration of the Magi (ca. 1494) is frequently cited as his most outstanding achievement. 

A well-known German astrologer foretold that as the 15th century came to an end, catastrophic floods would herald the "end of the world" on February 25, 1524. The Last Judgement, by Hieronymus Bosch, covered the same subject but with paintings of hell filled with improbable demons, evil spirits, metamorphosed lifeforms, and sexual imagery. It is impossible to determine when Hieronymus Bosch finished The Last Judgment because none of his paintings contain dates, though it is thought that it might have been completed between 1482 and 1505. 

Bosch produced The Temptation of Saint Anthony (c. 1500), a triptych that celebrates St. Anthony's fortitude in the face of powerful demonic influence. At this point, Bosch's vision was becoming more gloriously expansive. His shapes became leaner, his colors more muted, and the fantastical worlds he displayed combined cataclysmic events with biblical settings that were almost bucolic in their purity. (2022) 

Late Period

Bosch's work was purchased throughout Europe during his career, and his pupils and followers greatly admired and imitated him. Pieter Bruegel, the Elder, also known as the "Second Hieronymus," was mainly influenced by Bosch's method of painting landscapes. Although interest in his works dwindled (except for Spain), Bosch reappeared as a major force in the modern era, influencing the Surrealist movement and artists like Max Ernst, René Magritte, and most significantly, Salvador Dal, who regarded Bosch as the very first contemporary artist. (2022) 

References

art in context. (2022, January 24). artincontext.org. artincontext.org. https://artincontext.org/hieronymus-bosch/

The Art Story. (n.d.). www.theartstory.org. Retrieved August 4, 2022, from https://www.theartstory.org/artist/bosch-hieronymus/

An Allegory of Intemperance (ca. 1495–1500)

Ecce Homo (ca. 1490)

Christ Driving the Traders from the Temple (1570 – 1670)

The Adoration of the Magi (ca. 1475)

Saint Christopher Carrying the Christ Child (1490s - 1500s)

Death and the Miser (c. 1485-1490)

Saint Jerome (circa 1500)